Brookhaven Buzz Coverage

Brookhaven artists show their work at 'hometown show'

By Joe Earle
joeearle @ reporternewspapers . net

Painter Kimberly Landers plans to show and sell her latest crop of “semi-psychedelic abstract landscapes” during the Brookhaven Arts Festival. Jewelry maker Chris Howell will be there, too, showing and selling her hand-crafted necklaces and earrings.

After all, they’re both artists who happen to live in Brookhaven. The Brookhaven Arts Festival, which celebrates its seventh anniversary this year, has become their hometown festival.

“If I’m going to do one show a year, it might as well be the one in my neighborhood,” said Landers, who lives in the Ashford Park neighborhood.

The 2010 Brookhaven Arts Festival takes place Saturday, Oct. 16, and Sunday, Oct. 17. It’s open 10 a.m.-6 p.m. Saturday, and noon-6 p.m. Sunday. Exhibitors will set up booths along Apple Valley Road between Dresden Drive and North Druid Hills Road, which is behind the Brookhaven-Oglethorpe MARTA station. More than 125 artists have signed up to participate in the show. Admission is free.

Landers has taken part in the Brookhaven festival twice before. She says she enjoys it, in part because she sometimes spots familiar faces in the crowd trooping past her booth. She recognizes neighbors or former students from her days as an art teacher at Chamblee High School.

“I see former students from Chamblee and their parents. I see friends, people who have businesses in the area,” the 38-year-old painter said. “It just feels like hanging out with everybody.”

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Brookhaven Buzz

I Love these Colors!

This canvas has been sitting in my basement, sketched, but not painted for a year or so. Why was it neglected for so long? I'm not completely certain, but I am loving it now. I'm finally in my new home and able to expand my work space throughout the house. The studio is amazing, but I need to get some better lighting for the late night painting sessions. The dining room will do in a pinch.

Today was PSAT day and I had five kids in my room who had already taken their SATs. So, we painted. I occasionally bring work in to my classroom so they can see that I am a working artist. This piece will be finished tonite so I'll share it with them tomorrow and post a final picture.

I Have Been Making Art, Really!

Okay, so it's been a little while since I've posted, but I've been quite busy. My big art project was purchasing and remodeling a home since my last post and got into chronicling that entire process on facebook. Meanwhile, I have been doing a few festivals a year, Virginia Highlands Summerfest and the Brookhaven Arts Fest (which is this weekend - Oct 16 & 17, 2010).

I spent some time up on Lake Lanier right after school got out in May and worked on a few paintings for Summerfest. I've been obsessively painting with reds, oranges and greens, so naturally, the first large painting I did in a while was the muted palette of those colors instead of the brilliant beachy colors (which I would pick up again after a summer full of beach travel).

The New Style

Here is a finished version of a piece in my experimental new style. I was feeling quite confined by the technical aspects of the meticulous hard edge pieces and wanted a looser option. In the classes I've been teaching recently at SCAD my students were pushed to play with texture, so naturally it spilled over into my work. I finished this last spring, but haven't really worked on any paintings all summer. Summer is sort of a down time for festivals and with two new jobs, my brother's wedding and learning metalsmithing over the summer, painting sort of took a backseat to life management.

Autumn Fields, 2009 (acrylic on wood) 16" x 20"

Yesterday however, I finally busted out the mini-frames and canvases and got the drawings completed for the next batch of paintings. I got the modeling paste on them as well (although not photographed). The modeling paste is a thick opaque spackle like substance that can be used to create texture and height where acrylic paint cannot. The paste is put down first, allowed to dry and then I paint with acrylic over it, both with watery washes, and thick applications with the palette knife. It is difficult to see the pencil lines in the little frames (if you click to enlarge you can see them better), but I will upload another photo soon of the modeling paste phase that will be easier to see the composition (along with the layer of added texture).

Not sure what to do about the fact that my beloved House of 10,000 Picture Frames has finally closed. After 35+ years in the business, the owner's were ready to retire and could not find a buyer interested in keeping the business alive. In addition to being right around the corner from my house, they were super friendly and willing to let me scrounge through the back room for scrap frame. This warehouse was full of every piece of frame that had ever been cut down, scraps saved no matter the size, and they would put together great frames for very little cost (after I dug them out of the heap). House of 10,000 Picture Frames... you will be missed.

Mixed-Media Experimentation Class

Summer at SCAD-Atlanta

In addition to taking classes this summer, I was teaching classes as well. I spent eight weeks with a great group of high school students in a mixed-media experimentation course. We worked in a variety of media, playing with color, texture and layering. It was a very productive summer, each student completed five pieces.

The next two pieces were direct observation studies. India ink was used to gestural lines and while it was still wet we began densely coloring the peppers with oil pastel. The smearing of the ink was worked into the oil pastel and created an interesting texture as one resisted the other.

The next two pieces are inspired by the abstract landscapes of Richard Diebenkorn. His high horizon, color field paintings use line and bold color to indicate the magnificence of the environment in which we live. Students used modeling paste and a palette knife to scrap on a textural undercoating. After the modeling paste dried, watercolor was brushed onto each section separately. After the watercolor was dry acrylic was scrapped across the top edges with a palette knife to pick up a highlight on the ridges. The resulting pieces, while small, were stunning.

Whoa Nelly!

Jewelry Class - Summer 2009

Amalgam Arts

We were asked to find something that interests us as

the inspiration for a few pieces of jewelry.

I chose the Art of Friedensreich Hundertwasser.

These pieces are sterling silver, copper and brass.

It's been a crazy summer, and it turned out to be a true teacher summer for me. I have entered back into the world of public education, accepting a postition at both Norcross High School and Georgia State University.

At Norcross, I am teaching 2-D Design, 3-D Design and Jewelry. I spent a bulk of the summer in a metalsmithing class, brushing up on technique. Turns out it is not like riding a bike. After getting over my initial fear of the acetelyne torch I was able to create a few really nice pieces. Picking the brain of my instructor Wendy Tonsits at Amalgam Arts was my main focus after becoming comfortable with the equipment. I was constantly assessing what we were doing in the small jewelry studio and figuring out how I would accomplish the same thing in an art room with up to 30 teenagers. I had a great time and am looking forward to seeing what I can get my high school students to produce.

There is more to share regarding the position at Georgia State and I will share that in another post.

I Finally Made It

There is finally a space at the Virginia Highlands Summerfest that will feature my work. Booth 441 (which at this point I couldn't tell you where that is... but will update you). After years of trying to get in I was put on the wait list this year and low and behold enough people in the painting category just ended up not able to make it.

I've got some new work I'll be posting in the next day or so and will be spending all of next week getting everything ready for presentation. Hope to see you out there!

http://www.vahi.org/summerfest.html

Amah's Shoreline

Jersey Shore, Mildred Landers (oil on canvas)

Amah's Shoreline (acrylic on wood) 16" x 20"

This is a reproduction of a painting that my grandmother did in the 60's. It is currently hanging above my television and after seeing it every day for months on end I realized I wanted to create an hommage to her and this particular composition is one of the most compelling and in line with my Ideal Destinations series. Mildred Landers' style was impressionistic and painting with her as a small child inspired my career in the arts.

Painting on Wood

Undisturbed (acrylic on wood) 22" x 22"

I've been accumulating frames from a number of sources and then cutting wood to fit them. Instead of my typical unprimed canvas substrate, the wood is yeilding a similar natural, matte finish, but with a lot less consumption of paint. The wood doesn't soak up as much of the paint and the smoother surface makes it a little easier to create the rediculously OCD hard edge lines so characteristic of this series.

Experimenting

After teaching several lessons on Richard Diebenkorn's style it was impossible to resist a little experimentation. Typical of his work is the high horizon and block sections of land. The resulting work incorporates some of the style of my Ideal Destinations series (bright colors and simplified shapes) along with a heavily textured surface.

Modeling paste is scraped across the surface and the acrylic paint is applied in washes, saturated coats and with a palette knife to create additional texture.

None of these pieces are finished and I am still trying different surfaces for the adhesion of the modeling paste. These pieces are all on canvas panel and I want to work on stretched canvas, so I must try the flexible modeling paste.